ƒuƒ‹[ƒXEƒ_[ƒŠƒ“ƒO@Bruce DARLING @Ph.D.—ª—ð

@@@”üpŽj‰Æ@iê–啪–ìF“ú–{’†¢M‹Â”üpj

 

Šw—ð

1965”N@@@@@ƒƒ`ƒFƒXƒ^[‘åŠw‹³—{Šw•”“Œ—mŠw‰È‘²‹Æ

1973”N@@@@@‘ˆî“c‘åŠw‘åŠw‰@•¶ŠwŒ¤‹†‰ÈCŽm‰Û’öC—¹@Œ|pŠx”üpŽjêUiMAj

1983”N@@@@@ƒ~ƒVƒKƒ“‘åŠw‘åŠw‰@”ŽŽm‰Û’öC—¹@”üpŽjŠw@iPH.Dj

 

E—ð

1984-1992”N@@ ƒ^ƒtƒc‘åŠw•‹³Žö

1989-1993”N@@ ƒn[ƒo[ƒh‘åŠw@ƒ‰ƒCƒVƒƒƒ[“ú–{ŠwŒ¤‹†ŠŒ¤‹†ˆõ

1993-1994”N@@ ƒeƒ“ƒvƒ‹‘åŠw“ú–{Z•‹³Žö

1995-1997”N@@ ‹{è‘Û‘åŠw‹³Žö

1998-2000”N@@ –kŠC“¹‘åŠwHŠwŒ¤‹†‰ÈŒ¤‹†ˆõ

2000-2009”N@@ ‹ãBŒ’N•ŸŽƒ‘åŠw‹³Žö@ ’è”N‘ސEŒã‚Í–kŠC“¹ŠwKƒZƒ“ƒ^[“™‚ÅŠˆ“®
2005-Œ»Ý‚ÉŽŠ‚é@ƒA[ƒgƒ~[ƒcƒPƒAŠw‰ï—Ž–

2010-Œ»Ý‚ÉŽŠ‚é@ƒA[ƒg‚ƍ‚—îŽÐ‰ïŒ¤‹†Žº@Žº’·

 

Œ¤‹†‹ÆÑiŽå‚È’˜‘E˜_•¶j

‚PDuƒIƒŠƒGƒ“ƒ^ƒŠƒYƒ€‚ƃCƒXƒ‰ƒ€”üp--ƒEƒBƒŠƒAƒ€Eƒ‚[ƒŠƒX‚ÌãOŸ~vi’P’˜j

@@ ‹GŠ§w•¶‰»ˆâŽYx‘æ‚U†(1998): 63-66.@@

‚QDuŒF–ì}‘œ™Ö‘É—…vi’P’˜jw²X–ؐ搶ŒÃŠó‹L”O˜_•¶WxŽû˜^@–¾“¿o”ÅŽÐ

@@@@ (1998”N):197-222.ŽƒŽ{Ý‚́u¶Šˆ‚ÌŽ¿v‚ÆŒ|pvi’P’˜j

3. uŽ{Ý‚ɏZ‚ލ‚—îŽÒ‚́u¶Šˆ‚ÌŽ¿v‚ÆŒ|p‚Ì–ðŠ„vAw‹ãB•ÛŒ’•ŸŽƒ‘åŠw ‘åŠwŒ¤‹†‹I—vx

@@@No.1(2000):11-16.@ i’P’˜j

‚SD gThe Mature Work of Yosa Buson and the Concept of Late Style.h

@@ i’P’˜j(“ú–{Œê–óF—^ŽÓ•“‘º‰~nŠú‚̍ì•i‚Ɣӊú—lŽ®‚ÌŠT”O)

@@ wƒƒfƒBƒA‹³ˆçŠJ”­Fu‹ß¢’†‹»”oæ~EŠG‰æŽ‘—¿‚̃fƒWƒ^ƒ‹‹³Þ‰»‚ÌŠJ”­Œ¤

@@ ‹†vx‰ÈŒ¤•ñ‘(2001): 18-34.

‚TDuƒAƒƒŠƒJ‚ɉ—‚¯‚鍂—îŽÒ‚Ì‹ZŠÂ‹«‚Ì‘I‘ðŽˆvi’P’˜j@@

¼”ö—SŒáE’ËŒûŒÞŠì•v•ÒwŽÐ‰ï•ŸŽƒ“®Œü‚ƉۑèxŽû˜^,’†‰›–@‹K(2002)F296-315.

‚UDgSilk Road Cross-cultural Motifs on Shôsô-in Treasures: The Peacockh

@@@ uƒVƒ‹ƒNƒ[ƒh‚ٕ̈¶‰»Œð—¬F³‘q‰@‚̍E•¶—Ž©‘R‚ÌŠï‘Ô‚Æ‹ÉŠy‚Ì•\Œ»vi’P’˜j

@@ w‘•üˆÓ ‚É‚Ý‚é“Œ¼Œð—¬F“Œ‘Q‚Æ‘P¼‘Q‚ÌŽ–—ጤ‹†xŽû˜^ Silk Roadology

@@@ 17(2003):71-115.

‚VDw‚—îŽÒŽ{Ý‚́u¶Šˆ‚ÌŽ¿v‚ÆŒ|p‚Ì–ðŠ„xi‹¤’˜j•½¬12-14”N“x‰ÈŠwŒ¤‹†

@@@ ”‹àiŠî”ÕŒ¤‹†iBji2jŒ¤‹†¬‰Ê•ñ‘ Œ¤‹†‘ã•\ŽÒ •½¬15”N (2003)3ŒŽ.

8Du–ü‚µ‚ÌŒš’z‚̉”\«Fƒ”ƒBƒ_[ƒ‹EƒNƒŠƒj[ƒPƒ“‚ðŽ–—á‚Æ‚µ‚āvw‹ãB•ÛŒ’•ŸŽƒ

@@@ ‘åŠwŒ¤‹†‹I—vx‚Ti2004jF151-159, ƒ_[ƒŠƒ“ƒOí“c‰v‘ã‚Æ‚Ì‹¤’˜.

9.@ Apty ƒIƒsƒjƒIƒ“FgƒVƒjƒA¢‘ã‚ÆŒ|p•¶‰»hp.44;Apty Carex12† 2005”N8ŒŽ25“ú.

10.uƒPƒA‚ɃA[ƒg‚ðŽæ‚è“ü‚ê‚év˜AÚ‹LŽ–i‚U‰ñjwƒPƒAƒ‰[ƒYƒ}ƒKƒWƒ“Carersf

@@@ E-Magazine x2005-2006(httpF//popo.or.jp/carecare/index.html).

11. uƒ†ƒ}ƒjƒ^ƒX‚ÌŽÀŒ±Fu¶ŠU‹ZŒ^ƒAƒp[ƒgvw‹ãB•ÛŒ’•ŸŽƒ‘åŠwŒ¤‹†‹I—vx

@@@@ 8i2007jF 15[21, ƒ_[ƒŠƒ“ƒOí“c‰v‘ã‚Æ‚Ì‹¤’˜.

12. w}àƒEƒBƒŠƒAƒ€Eƒ‚ƒŠƒXFƒ”ƒBƒNƒgƒŠƒA’©‚Ì‹lx‰Ío‘–[VŽÐ 2008”N

@@@ ‚TŒŽ, ƒ_[ƒŠƒ“ƒOí“c‰v‘ã‚Æ‚Ì‹¤’˜.@ŽóÜ: ‘S‘ŠwZ}‘ŠÙ‹¦‹c‰ï‘I’è}‘.

13. gWilliam Morris: Art for a Just Societyhi“ú–{Œê–óFƒEƒBƒŠƒAƒ€Eƒ‚ƒŠƒXF³‹`‚ ‚é

@@@ ŽÐ‰ï‚Ì‚½‚ß‚ÌŒ|pjw‘ÛL•ñƒƒfƒBƒAEŠÏŒõŠwƒWƒƒ[ƒiƒ‹x‘æ‚X† (2009):

@@@ 61-78, ƒ_[ƒŠƒ“ƒOí“c‰v‘ã‚Æ‚Ì‹¤’˜.

 

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